Today’s in-ear earbuds allow you to hear more of the bass, and some consumer headphones have also started exaggerating bass frequencies. One thing often missing from traditional earbuds and headphones and even studio headphones is bass response. Sound quality is more important than isolation in mixing. They should also enable you to hear the stereo spectrum.
When mixing and mastering, you want to be able to hear all the tracks with good separation. It seems obvious enough, but you should buy a pair of headphones that give you good frequency response, clarity, and transparency. Quality headphones aren’t always cheap, so the more durable, the better. It’s easy to trip over, and if you venture too far from the mixer, you could end up ripping the cable right out of the input, wrecking it in the process. With headphones, the main concern is usually the cable connecting your headphones to your mixer or other device.
Unfortunately, you can still end up inadvertently dropping, slamming, or sitting on equipment you never meant to. In an ideal world, we would all take good care of our gear. For quick reference, that might be okay, but if you’re planning on using them for hours on end, you need a comfortable pair. Some headphones can irritate your ears (not just because of the frequency response), and others can feel too tight or too loose around your head. Most headphones are at least somewhat adjustable, but you won’t know for sure what works for you until you try them on. A pair of headphones can look cool, and sound great besides, but if they don’t feel good on your head, you’re not going to use them. But again, here are some of the most important factors to consider: There’s a good chance you’re starting to get an idea of what to look for in a pair of studio headphones.
0 kommentar(er)
